In Hazlitt, Nicole Chung writes about taking her eight-year-old daughter to see last year’s production of The Winter’s Tale (dir. Desdemona Chiang) at the Oregon Shakespeare Festival. The play, which featured a predominantly Asian American cast and creative team, offered Chung an all-too-rare opportunity to give her daughter a chance to see herself in the characters onstage — which happens, Chung estimates, “probably less than one percent” of the time.
In a culture that whitewashes Asian and Asian American characters out of so many stories, Chung hopes that this night out at the theater can create a memory that fuels her daughter’s imagination — and her ability to imagine herself as a protagonist in her own life — for years to come.
As we watched actors of three different generations portray mother, father, daughter, and little son, I tried to remember the last time I saw so many Asian…
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