According to a recent piece in The New Yorker by Dana Goodyear, Hollywood’s most powerful women are joining forces in a bit of “disaster feminism,” a riff on Naomi Klein’s notion of “disaster capitalism” — when governments seize a moment of vulnerability after a natural disaster or political or economic crisis to pass sweeping changes that the polity otherwise wouldn’t agree to.
Goodyear’s sprawling “Letter From California” asks as early as its headline the critical question: Can Hollywood change its ways?
She delves into the past, through an incredible, expansive interview with an unnamed nonagenarian, a former child actress who left the business at 16 horrified by the things men expected her to do.
And she talks to myriad current Hollywood-based sources, some named and others not, who recount anecdotes ranging from office conversations to overheard “come to Jesus” moments among men at a birthday party. The snapshots…
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