One of the poems that earned Robert Frost the Pulitzer Prize in 1924 is titled “Nothing Gold Can Stay,” and puts forward the claim that nothing, especially nothing beautiful, lasts forever. I thought of this recently when I was considering the impermanence of digital media. As Maria Bustillos wrote for the Columbia Journalism Review earlier this year, digital media came at first with “fantasies of whole libraries preserved on a pin.” Digital writers often revel in the notion that they have limitless space, unlike their print counterparts who squish their reporting to fit precious column inches. But increasingly we’re learning how ephemeral that space is.
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